Science Museum Group Journal Issue 16
Science Museum Group Journal Issue 16
Science Museum Group Journal Issue 16
Issue 16 features a strong strain of research from within the Science Museum Group. Robert Gwynne brings together railway and computer histories by looking at the long engagement of the railways with data driven technologies; Abigail Wilson looks at the impact of Joseph Whitworth’s legacy on Manchester’s built environment; and Alex Rose discusses a collection of seismographs originally located at Eskdalemuir Observatory in Scotland. Charles Ormrod looks at the history of mechanised production in luxury goods while Pippi Carty-Hornsby discusses a methodology for capturing and preserving the disappearing (and often tacit) knowledge required to operate large working exhibits. In other articles, Curator Imogen Holmes-Roe discusses the history and direction of the Whitworth gallery, whilst David H Lee contributes a study of audience responses to a health exhibition in the USA with objectives to change behaviours. Our growing reviews section allows discussion of the crucial contemporary issues faced by museums. Here Subhadra Das discusses Corrine Fowler’s ‘Green Unpleasant Land’ while ‘Photography Off the Scale’ (eds Tomà¡Å¡ DvoÅ™à¡k and Jussi Parikka) is reviewed by Surya Bowyer.
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Item type:Journal article, The Whitworth: a place for Industry and Art(2021-11-02)Holmes-Roe, ImogenThe Whitworth has been making art useful since 1889. Originally founded in the memory of the pioneering engineer Sir Joseph Whitworth (1803–87), the gallery was built for ‘the perpetual gratification of the people of Manchester’. As the Whitworth celebrated its 130th year, the gallery hosted a major exhibition which explicitly explores and acknowledges the history of the Whitworth institute, gallery and park. A proponent of standardisation, Sir Joseph revolutionised precision engineering through his development of interchangeable parts in machinery. While he maintained a natural interest in technical education throughout his life, less is known about whether this support extended to the fine and decorative arts. Conversely, today the Whitworth is celebrated for its internationally significant collections of art and design and its contemporary exhibitions programme, but for many visitors the gallery’s association with the great Victorian mechanical engineer is less clear. This paper, which was presented at the Science Museum Group Research Conference 2019: The Place of Industry, reflects on research that was first carried out in preparation for the exhibition ‘Standardisation and Deviation: the Whitworth Story’ (14 December 2019–January 2022). It is not intended to be an original piece of research nor to provide a comprehensive history of the gallery. What follows is a reflection on some of the original source material and research papers that were consulted in preparation for curating the exhibition. Together they have been used to illustrate how the history of the Whitworth provides an object lesson in how art and technology unite.1